The Mirzapur: The Movie soundtrack is a nine-track album built around the franchise’s familiar mix of menace, romance, folk-rooted emotion, rap energy and atmospheric score. Released ahead of the film’s September 4, 2026 theatrical debut, the album includes “Vaaroon Forever,” “Do Numbari,” “Saanson Ki Maala,” “Ghoom Ghoom,” “Vindhyaavaasini Ki Jai Ho,” “Kaan Phaad,” “Vaaroon Reprise,” “Sajanva Redux” and “Mirzapur The Bhaukaal Theme.” The complete soundtrack was launched through Excel Music as part of Universal Music India’s “Hear it first” premium-subscriber initiative.
For listeners searching specifically for the Mirzapur The Movie album—not merely individual songs—the official Excel Movies compilation provides the clearest overview of the film’s musical identity. The track sequence runs for roughly 25 minutes, moving from the dramatic “Vaaroon Forever” through contemporary rap and reinterpretations of traditional material before ending with John Stewart Eduri’s instrumental “Mirzapur The Bhaukaal Theme.” The music therefore functions as more than a collection of promotional singles: it combines songs with the film’s original score and reprises to create a compact musical extension of the Mirzapur universe.
The complete Mirzapur The Movie album tracklist
The official video supplied for the album presents nine tracks in this order:
| Time | Track | Principal music/artist credits | Musical role |
|---|---|---|---|
| 00:00 | Vaaroon Forever | Anand Bhaskar; Romy & Shreya Ghoshal | Main dramatic song |
| 04:09 | Do Numbari | Dhanda Nyoliwala | Rap/hip-hop-driven track |
| 06:52 | Saanson Ki Maala | Nusrat Fateh Ali Khan composition/lyrics; Madhur Sharma vocals | Sufi/qawwali-rooted reinterpretation |
| 09:57 | Ghoom Ghoom | RAY; Kumaar; Rashmeet Kaur & RAY | Contemporary dance-oriented song |
| 13:07 | Vindhyaavaasini Ki Jai Ho | Junaid Kumar; Tejpal; Junaid Kumar & Krishna Lasya Muthyala | Devotional/folk-rooted number |
| 16:07 | Kaan Phaad | John Stewart Eduri; PARRY G & Suzanne D’Mello | High-energy soundtrack cut |
| 18:41 | Vaaroon Reprise | Anand Bhaskar; Shreya Ghoshal | Reworking of the opening song |
| 21:15 | Sajanva Redux | Anand Bhaskar; Vidhya Gopal | Reworked romantic/folk-flavoured track |
| 23:12 | Mirzapur The Bhaukaal Theme | John Stewart Eduri | Instrumental theme/original score |
The sequence is significant because the album does not rely on one musical style. Instead, it moves between modern Hindi soundtrack production, rap, Sufi influence, devotional material and instrumental scoring. That variety fits a franchise whose identity has always depended heavily on atmosphere and character-driven tension.
“Vaaroon Forever” opens the album with a dramatic vocal pairing
“Vaaroon Forever” is composed by Anand Bhaskar, with lyrics by Ginny Diwan and vocals from Romy and Shreya Ghoshal. The song also has a reprise later in the album, making it one of the soundtrack’s central musical motifs.
The presence of Shreya Ghoshal gives the song a polished mainstream Bollywood vocal character, while Romy adds a contrasting vocal dimension. Structurally, placing the song first and then returning to it near the end suggests that “Vaaroon” is intended to function as a recurring musical idea rather than a disposable standalone promotional track.
“Do Numbari” brings Dhanda Nyoliwala into Mirzapur’s musical world
“Do Numbari” is performed, written and composed by Dhanda Nyoliwala, giving the album one of its strongest contemporary rap-oriented identities.
The track had also been released separately before the complete album presentation. Spotify lists it as a 2026 single from the Mirzapur The Movie music catalogue, with Dhanda Nyoliwala credited as the artist.
Its inclusion is particularly suited to Mirzapur, a franchise built around crime, ambition, territory and characters operating outside conventional institutions. Rather than trying to reproduce the sound of a traditional film song, “Do Numbari” brings a modern hip-hop vocabulary into that world.
“Saanson Ki Maala” connects Mirzapur with Nusrat Fateh Ali Khan’s legacy
One of the album’s most recognisable titles is “Saanson Ki Maala.” The song is associated with the repertoire of Nusrat Fateh Ali Khan, while the film version features Madhur Sharma as vocalist.
Amazon’s own coverage of the film specifically highlighted the track, with Ravi Kishan describing the Nusrat Sahib song and Madhur Sharma’s rendition as one of the soundtrack’s notable musical elements.
This track is important because it demonstrates how Mirzapur The Movie uses established South Asian musical material alongside newly created songs. The result is not a soundtrack confined to one contemporary pop sound; it draws on an older musical tradition to create a different emotional register within the film.
“Ghoom Ghoom” adds a contemporary commercial sound
“Ghoom Ghoom” is credited to RAY for composition, with lyrics by Kumaar and vocals from Rashmeet Kaur and RAY.
The song appears midway through the album and represents a more contemporary, commercial soundtrack approach. Its placement after “Saanson Ki Maala” also gives the album a noticeable shift in tone, moving away from the Sufi-rooted material toward a modern vocal production.
The track has appeared in the film’s promotional ecosystem as well; cinema listings for Mirzapur: The Movie identify “Ghoom Ghoom” among the film’s available music videos.
“Vindhyaavaasini Ki Jai Ho” gives the album a regional and devotional dimension
The title “Vindhyaavaasini Ki Jai Ho” directly invokes Vindhyavasini, a form of the goddess associated with the Vindhya region. For a story geographically and culturally rooted in eastern Uttar Pradesh, that reference gives the soundtrack a stronger sense of place.
The track is composed by Junaid Kumar, with lyrics credited to Tejpal and vocals by Junaid Kumar and Krishna Lasya Muthyala.
Rather than treating the setting merely as background, this type of musical material can reinforce the cultural environment in which the characters and their conflicts exist. That distinction matters for a franchise such as Mirzapur, where location is closely tied to identity and power.
“Kaan Phaad” turns toward aggressive soundtrack energy
At 16:07, the album reaches “Kaan Phaad,” composed by John Stewart Eduri, with lyrics by PARRY G and vocals from PARRY G and Suzanne D’Mello.
Eduri is also responsible for the film’s original score, making “Kaan Phaad” part of the album’s bridge between conventional songs and the cinematic sound design surrounding the story.
That distinction becomes especially clear toward the end of the compilation, when the soundtrack moves from songs into reprise material and finally the instrumental Bhaukaal theme.
Why the reprises matter
The final third of the album changes the listening experience. Instead of introducing entirely new songs, it revisits established material through “Vaaroon Reprise” and “Sajanva Redux.”
“Vaaroon Reprise” returns to Anand Bhaskar and Ginny Diwan’s musical world, this time with Shreya Ghoshal credited as the singer. “Sajanva Redux,” meanwhile, is another Anand Bhaskar composition with Ginny Diwan as lyricist and Vidhya Gopal on vocals.
These versions suggest that the soundtrack was designed around recurring musical ideas rather than simply assembling nine unrelated tracks.
The “Mirzapur The Bhaukaal Theme” is the album’s instrumental anchor
The album closes with “Mirzapur The Bhaukaal Theme,” composed and produced by John Stewart Eduri.
Unlike the vocal tracks, the theme has no singer or conventional lyric credit because its purpose is atmospheric. It is the closest thing in the album to a pure statement of the franchise’s cinematic musical identity.
Ending with the theme is an effective structural choice. After eight vocal or song-based tracks, the soundtrack finishes by stripping the presentation back to score, leaving the listener with the musical identity associated with Mirzapur itself.
Who created the Mirzapur The Movie music?
The soundtrack brings together several composers and performers rather than assigning the entire album to a single musical team.
Anand Bhaskar is central to the album through “Vaaroon Forever,” its reprise and “Sajanva Redux.” Dhanda Nyoliwala supplies the distinctly rap-focused “Do Numbari,” while RAY and Junaid Kumar contribute different contemporary and regional musical colours. John Stewart Eduri occupies an especially important role because he is responsible for the original score as well as “Kaan Phaad” and the closing Bhaukaal theme.
That division of labour helps explain why the album sounds deliberately varied rather than stylistically uniform.
Mirzapur The Movie: album versus background score
A useful distinction for listeners is that the album is not identical to the film’s entire musical score.
The nine-track compilation combines songs, reprises and a principal theme. A movie’s complete sonic experience can contain additional background cues, transitions, sound-design elements and variations that do not necessarily appear as separate commercial tracks.
| Category | Examples from the album | Purpose |
|---|---|---|
| Original songs | “Vaaroon Forever,” “Do Numbari,” “Ghoom Ghoom” | Character, mood and entertainment |
| Traditional/reinterpreted material | “Saanson Ki Maala,” “Vindhyaavaasini Ki Jai Ho” | Cultural and emotional texture |
| Reprises/redux versions | “Vaaroon Reprise,” “Sajanva Redux” | Recurring musical motifs |
| Cinematic score/theme | “Kaan Phaad,” “Mirzapur The Bhaukaal Theme” | Atmosphere, tension and franchise identity |
This is why searching for the “Mirzapur The Movie full album” and searching for the “Mirzapur movie background score” are not necessarily the same thing.
The album arrived as Mirzapur moved from streaming to cinemas
The soundtrack is part of a larger transition for the franchise. Mirzapur: The Movie is the first theatrical film continuation of the property after its streaming run, with Amazon MGM Studios and Excel Entertainment presenting the movie. Amazon’s official announcement confirms the September 4, 2026 theatrical release and identifies Gurmmeet Singh as director and Puneet Krishna as creator/writer.
The soundtrack rollout itself was also notable. According to the reported announcement from Excel Entertainment and Universal Music India, the complete album was released through Excel Music under the “Hear it first” initiative, initially giving premium music subscribers access before wider availability. The release was described as the first Bollywood film album to use that premium-subscriber-first window.
That makes the music release part of the franchise’s broader theatrical strategy rather than an isolated album launch.
What makes the Mirzapur album different from a typical movie soundtrack?
The strongest feature is its range. A listener moves from Shreya Ghoshal and Romy on “Vaaroon Forever” to Dhanda Nyoliwala’s rap on “Do Numbari,” then to Madhur Sharma’s interpretation of Nusrat Fateh Ali Khan’s “Saanson Ki Maala,” contemporary vocals on “Ghoom Ghoom,” devotional-rooted material, and finally Eduri’s instrumental theme.
That variety mirrors the franchise itself. Mirzapur has never been defined solely by gangster imagery; its appeal also comes from its characters, regional setting, relationships, humour, violence, ambition and shifting emotional alliances. The soundtrack consequently works best when viewed as a musical map of the film’s different moods, rather than as one uniform genre album.
Mirzapur The Movie full album: the tracks to know
For anyone looking for the essential soundtrack rather than individual viral songs, the nine-track sequence is the key reference point: “Vaaroon Forever,” “Do Numbari,” “Saanson Ki Maala,” “Ghoom Ghoom,” “Vindhyaavaasini Ki Jai Ho,” “Kaan Phaad,” “Vaaroon Reprise,” “Sajanva Redux,” and “Mirzapur The Bhaukaal Theme.” The official Excel Movies compilation places them in that order, while streaming listings independently confirm several of the principal releases and their credited artists.
The most revealing way to hear the album is as a progression: vocal drama first, contemporary rap and pop in the middle, culturally rooted material alongside reinterpretations, and finally the instrumental Bhaukaal theme. That structure makes the soundtrack feel connected to the cinematic world rather than simply assembled to promote the film.
With Mirzapur: The Movie now in theatres following its September 4, 2026 release, the album also serves as a musical bridge between the franchise’s streaming history and its new theatrical chapter. Its combination of established voices, new performers, traditional repertoire, rap and John Stewart Eduri’s score gives the film a broader musical palette while retaining the aggressive atmosphere associated with Mirzapur.